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END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20330313T030000 RDATE:20331106T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20340312T030000 RDATE:20341105T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20350311T030000 RDATE:20351104T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20360309T030000 RDATE:20361102T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20370308T030000 RDATE:20371101T010000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:America/New_York EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:f2619459b56cc818070f7c13ff7a7dad CATEGORIES:Class - Watercolor SUMMARY:Still Life With Glass in Watercolor | Debbie Cannatella | May 3 - 5, 2019 DESCRIPTION;ENCODING=QUOTED-PRINTABLE:

Reflections   l Refractions   l Transparency   l Distortions   l Translucence

It is what is so exciting about painting gla ss! In this workshop, still life setups will be arranged where sunlight dan ces through the compositions and students will spend time their first morni ng photographing from different angles as desired, then using their choice of these photographs in their composition. We will discuss what to look for in reflections and refractions, the type of glass to use for maximum effec t, organic subject to pair with glass, shapes, layering, and the elements u sed in designing an elegant composition. Demonstrations will be given throu ghout the workshop.

After making live sketches and references in the student’s sketch book on visual observations of the composition as it is affected by natural sunlight, students will begin to lay out their chos en composition on tracing paper to transfer to their watercolor paper for p ainting, or they may bring home their reference information and draw their composition that evening, so that participants can begin painting on day 2. Students will be required to print out their own reference photographs and bring to class on day 2

Registration: Open to the 1 st fifteen (15) paid participants. Deadline Postmark by April 18th, 2019

Send check to:  Debbie Cannatella, 5076 Loch Drive, Union, KY 41091. Call or text 225- 936-4796 for any questions.

Should a minimum of 7 paid st udents not be filled, the workshop will be cancelled the week after the dea dline.

Supply List:

Sketch book for water media

< p>Digital camera

pencil with graphite and kneaded eraser (I like mech anical pencils)

Wide-mouth water container (I use dog bowls)

Wa tercolor palette with large mixing area or enamel butcher tray

11x17 pad of tracing paper

Soft, natural or synthetic blend watercolor brus hes (Black Velvet Sable is my preferred brand for students), Sizes 6 & 12 R ound, a large mop brush,                 plus any additional sizes you    c hoose

Paper towels

Professional grade watercolor paper (1 full sheet 22x30)

Professional grade watercolor pigment (American Journey by Cheap Joe’s is a decent, inexpensive brand. I use Daniel Smith pig ments and a few                 by Winsor Newton.)

Please Purchas e your supplies in advance of the class

 

BIO: Debbie Cannatella began her career as a ful l-time gallery artist when she relocated to Chicago from Baton Rouge in 200 5 after 20 years of painting part-time. Since then, she’s traveled na tionally teaching workshops, opened two galleries in Texas, and has won awa rds in Chicago and throughout the southern states. She relocated with her h usband to Northern Kentucky in 2017.   She has resurrected metalsmithing, e xpanding design into enameling, continues to paint in watercolor and oil, a nd is a weaver. In 2018 she spent two-weeks at PRO VOBIS Artist Residence i n Perugia, Italy followed by an exhibition at Palazzo Franchi in Assisi..

Publications include Artistic Touch 4, the Artist Magazine, the 2015 e dition of the Best of Watercolor, Splash 16: Exploring Texture! and the 201 6 edition of Art Journey Animals: A Collection of Inspiring Contemporary Ma sterworks, both by Northlight Books. She’s a signature member of Loui siana Watercolor Society, Artists of Texas, and holds membership/board posi tions with AWS, NWS, SW, KWS and WSST. She is currently the Kentucky repres entative for Southern Watercolor Society. Locally she is a member of the Gr eater Cincinnati Watercolor Society and the Women’s Art Club of Cinci nnati.

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